Jerry Cantrell Confirms New Project with Duff McKagan
Jerry Cantrell has a new project on the way and it features Guns N’ Roses bassist/close friend Duff McKagan.
After some images leaked to Instagram earlier this week showing Cantrell and McKagan at a Los Angeles-based studio recording a music video, Cantrell took to his Instagram and shared some photos along with the caption, “Hereâs a couple better pics than the ones leaked yesterday. May be time to upgrade that phone? Just saying.” The photos also showed Dillinger Escape Plan guitarist Greg Puciato and drummer Gil Sharone.
@chellebelle2020, the Instagram that leaked the initial photos noted, “Cantrellâs brother has said on social media that the album is due in October, though no label has been announced and no formal release date has been set. Thereâs also no word on any plans for a new @aliceinchains album. The bandâs last release was 2018âs ‘Rainier Fog.’ Cantrellâs first two solo albums, ‘Boggy Depot’ (1998) and ‘Degradation Trip’ (2002), were released while Alice In Chains was inactive or disbanded.”
Alice In Chains: Their 30 Best Songs, Ranked
âStoneâ is the most recent Alice in Chains song to top Billboardâs Mainstream Rock Songs chart, which is determined solely on radio airplay. The chugging riff was written by Cantrell during a time when he actually couldnât play a guitar. He said in an interview with Ultimate-Guitar.com that he was still recovering from shoulder surgery, so he just hummed the riff into his phone, which only proves that even when heâs unable to play, Jerry Cantrell is still better than most other guitarists. Heâs just that good!
âNever Fadeâ serves as a tribute to multiple people: Chris Cornell, who died shortly before AIC began recording âRainier Fogâ; William DuVallâs grandmother, who died during the recording sessions for the album; and Layne Staley, whose presence will forever linger in the band. As a result, lyrics like, âYou're never far away, I always see you/And when it all goes dark you light my way throughâ cut extra deep.
Bluesy and a little twangy, âShame In Youâ is easily one of AICâs most overlooked ballads. That might be due to being featured on the bandâs inconsistent self-titled album. But a great song is a great song, and you donât want to sleep on this one.
Five years after the release of âThe Devil Put Dinosaurs Here,â Alice In Chains came roaring back with âRainier Fogâ and its lead single âThe One You Know,â complete with a crunchy, heavy AF opening riff. Nearly three decades on, AIC show theyâre still darker than most and have plenty left in the tank.
âAm I Insideâ is one of two songs on âSAPâ to feature Heartâs Ann Wilson, and her addition is super-sonic. (Seattle pun WAY intended.) But in all seriousness, Wilson, Staley and Cantrellâs voices together are nothing short of sublime, and itâs moving to feel just how much of the grunge bands of Seattle revered Heart.
AICâs episode of âUnpluggedâ featured some of their biggest hits and fan favorites, but it also included the new track âKiller Is Me,â which is as great and poignant as the entire set was.
âGet Born Againâ was one of the final songs AIC recorded with Staley before his death in 2002. Even though his substance issues were finally getting the best of him, Staley still managed to deliver lyrics and a vocal performance that were pretty much a return to form circa AICâs âFaceliftâ and âDirt.â
The Staley-penned lyrics of âAgainâ are set to an infectious, uptempo (for AIC) riff, but the despair cannot be ignored. In the years since itâs release, âAgainâ has only grown eerier.
The third and final single released from âThe Devil Put Dinosaurs Here,â âVoicesâ is the strongest song from the LP, the second to feature William DuVall. Itâs undoubtedly one of the most radio-friendly tunes Cantrell has written in recent years, but itâs uncompromisingly still an AIC tune.
âOver Nowâ closed out the bandâs 1995 self-titled LP, but weâre opting for the version from their 1996 âUnpluggedâ album. The latter version has a slightly faster tempo, and Cantrellâs vocals are somehow stronger. Also, just go back and watch the AIC episode of âMTV Unplugged.â You can find all of the songs from the show on the bandâs YouTube channel. Itâs one of the best episodes of the series and one of its most underrated, which is almost seemingly a constant theme for Alice in Chains.
The fourth and final single from âBlack Gives Way to Blue,â âLesson Learnedâ is a rather straightforward alt.rock song, but its hook is simply undeniable.
âWe Die Youngâ was Alice In Chainsâ very first single, and it really did set the table, subject-matter-wise, for what would come from the band. When your first single is about young kids dealing drugs on the streets of Seattle, you should buckle up for a jarring ride. While it wasnât a commercial hit, it is beloved by fans.
Wake up and smell the Black Sabbath influence on this one! Clocking in at 6:26, Staleyâs vocals on âLove, Hate, Loveâ are just extraordinary, and heâs also credited for the lyrics.
âRight Turnâ features not just the vocal stylings of Staley and Cantrell, but also Soundgardenâs Chris Cornell and Mudhoneyâs Mark Arm. Some smartass fan might be quick to say, âUm...actually, this isnât an Alice in Chains song. Itâs by Alice Mudgarden.â And sure, they would be technically right since that how itâs billed in the liner notes, but itâs on an AIC EP, so pipe down.
Bandmates fight. Thatâs just part of rock and roll, and âDam That Riverâ is proof of that. Cantrell wrote the song following a fight with drummer Sean Kinney that resulted in Kinney breaking a coffee table over Cantrellâs head. At least Jerry had the sense to realize after being likely concussed that, âOh...this will make for a great song.â
âDonât Followâ is just a devastatingly gorgeous acoustic blues song. If you canât recall just how deep this song aches, go listen to it right now. Iâll wait...SEE! What did I tell you?!
The third single from âFacelift,â âSea of Sorrowâ really shows off AICâs metal influences, especially with Cantrellâs opening riff. All these years later, Sean Kinneyâs piano playing on the track is still surprising.
Featuring Heartâs Ann Wilson on backing vocals, âBrotherâ is an olive branch to Cantrellâs actual younger brother, David. Separated by four years, the brothers were literally separated when they chose to live with different parents following their parentsâ divorce. While âBrotherâ is an incredibly touching, powerful song, itâs still not Cantrellâs best song about a family member, but youâll read more about that one later.
âAngry Chairâ is credited entirely to Layne Staley, who also plays rhythm guitar on the track. Simply put, the song is a really intense look at the belly of Staleyâs beast, especially on lyrics like, âCorporate prison, we stay yeah/I'm a dull boy, work all day/So I'm strung out anyway.â
While included on âSAP,â âGot Me Wrongâ wouldnât be released as a single until 1994 after being included on the soundtrack of the Kevin Smith film âClerks.â Melodically, itâs perhaps AIC at their most jaunty, which is definitely not the first adjective anyone would think of to describe the band, but alas, thatâs what âGot Me Wrongâ is even with its biting lyrics.
Any unease about Alice In Chains releasing new music after a decade-long hiatus and the 2002 death of Layne Staley went away upon hearing âCheck My Brain.â William DuVall proved to be an incredible vocal compliment to Cantrell and remains that way to this day. Plus, the trackâs whimsical, sarcastic lyrics of Cantrell commenting how he now lives in Los Angeles after years in Seattle is a pleasant change of pace.
âAlice In Chains,â as a whole, is a bit labored, but the album isnât without its bright spots like the haunting âHeaven Beside You.â Style-wise, the song wouldâve felt right at home on âJar of Flies,â and lyrically, you could say the same. Cantrell wrote the song following the split from his girlfriend of seven years and handles the lead vocals on the track which takes an already very intimate song to another level.
âI Stay Awayâ isnât just a standout on âJar of Fliesâ itâs a standout in the whole AIC catalog. No other song of theirs really sounds like it. Whether that was by design since it was the first song the band wrote with bassist Mike Inez following the exit of Mike Starr, who knows. But between Jerry Cantrellâs solo and that beautifully tense string section, âI Stay Awayâ provided yet another intriguing layer to the range of the band.
âNutshellâ is very stripped and raw due to its acoustic nature, but itâs also due to the simple, straightforward lyrics written by Layne Staley. âWe chase misprinted lies/We face the path of time/And yet I fight/And yet I fight/This battle all alone/No one to cry to/No place to call home.â Itâs a sincere gut punch that stays with you and only makes you miss Staley more.
Featured first on the soundtrack to the Cameron Crowe film âSinglesâ where Alice In Chains makes a cameo, âWould?â served as a tribute to Mother Love Bone singer Andrew Wood, who died in 1990 from a heroin overdose. The song features an awesome bass intro from Mike Starr whose playing on the song is just outstanding. Staleyâs voice just soars and roars in the chorus and shows off his unique power.
âDown In a Holeâ is pretty universally loved by critics and AIC fans alike, and yet it somehow might just be one of the most underrated ballads in rock. As rock fans, weâre often conditioned to highlight the bombastic âpowerâ types when discussing ballads, but âDown In a Holeâ should always be part of the conversation, especially with lyrics like, âDown in a hole and theyâve put all the stones in their place/Iâve eaten the sun so my tongue has been burned to the taste.â SeriouslyâŠdamn, Jerry!
âNo Excusesâ was AICâs first number one on Billboardâs Mainstream Rock Songs chart, which is determined solely from radio airplay. Itâs easy to see why, especially when you listen closely to the outstanding rhythm work of Sean Kinney and Mike Inez. One of the catchiest songs ever about a strained friendship, âNo Excusesâ was penned by Cantrell about his relationship with Staley. Even though things were rocky, thereâs still so much heart here, especially in the final verse, âYou, my friend, I will defend/And if we change, well, Iâll love you anyway.â And Cantrell still does to this day.
The breakout single for AIC, âMan in the Boxâ is just a monster of a track. Itâs the song the band has played the most live in their entire performing history, according to Setlist.fm. When you get down to it, it was the first real, serious warning shot out of the Seattle grunge scene putting the entire rock landscape on notice. If youâre looking for the biggest example of the songâs staying power, it might be this: In the 2010s, âMan in the Boxâ was the second-most played song on active rock radio, according to a decade-end report from Nielsen. (FYI: Nirvanaâs âSmells Like Teen Spiritâ was number one.) The song is now 30 years old, and it STILL is that vital.
Serving as the opening track on âDirt,â âThem Bonesâ barrels out the gate and sets the tone for one incredibly dark, but brilliant sophomore LP. Part of AICâs secret sauce, if you will, has always been balancing the bleak with the badass. With a blunt chorus of, âI feel so alone, gonna end up a big ole pile of them bones,â it doesnât get more bleak and badass than that. Add in Staleyâs fervent screams of âAAH!â, and you have the recipe for grunge gold.
An epic in every sense of the word, âRoosterâ is the type of song youâd imagine Bruce Springsteen writing if he were a grunge artist. The kicker is that unlike a lot of The Bossâ iconic storytelling songs, âRoosterâ is about a real person. The song gets its title from the nickname of Jerry Cantrell, Sr., and the track itself serves as a tribute from Cantrell, Jr. to his father, who was a combat veteran of the Vietnam War. Itâs a stunning, fiercely personal song about the horrors of war and one of the finest examples of storytelling in all of music, not just in the Alice In Chains catalog. Every member of the band is at their best on âRooster,â especially Staley and Cantrell whose harmonies are at their most chill-inducing and hair-raising. A variety of Alice in Chains songs could be argued as being number one on this list, but you just canât snuff âRoosterâ from the top spot.