The Color Before the Sun, the eighth studio album from progressive post-hardcore visionaries Coheed and Cambria, finally sends this band of space cadets crashing down to Earth. After traversing the outer limits of science fiction over seven acclaimed albums and more than 20 comic books, founder and songwriter Claudio Sanchez is ready to explore his emotions nakedly, plainly and unabashedly. No conceptual framework, no galaxy of characters, no seven-minute epics, no places for the band, as he quips, to "put a laser beam on it."
"I kind of want people to know that Coheed can write that sort of record," says Sanchez. "I've always said in the past that there's never been a limitation on the band. It makes no sense to me to draw a line in the sand and never cross it."
While the most conceptually abstruse Coheed records have always had a foundation in reality, The Color Before the Sun marks the first time Sanchez is exposing his raw feelings, narrated from his own perspective — the anxiety of fatherhood, the disorienting feeling of losing a home, the reflections had during early-morning walks. His own story is told through big, bright, driving, colorful songs that beam like power-pop, crunch like vintage '90s emocore and float with the expansive feel of space-rock.